ARTIST'S STATEMENT


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My narrative paintings and drawings are informed more by 15th Century naturalism than by realism of my own time. Although usually the result of pure intuition (pictures seem to just pop into my head), I refine each image through a series of studies, drawings, and finally the painting to satisfy my formal concerns with structure and the tension between the geometric and the organic.

Regardless of the initial inspiration for a particular piece — a distant memory, the sting of one of life’s little ironies, a spiritual yearning, or an unexplainable enchantment with some ordinary object — I invariably find myself on a quest to find meaning in the simple trappings of everyday existence.

My 2008 piece, A Meditation on the Stations of the Cross, was five years in the making. It reawakened my interest in series of images, a concern I have ported on my current exploration of egg tempera--a medium which I have admired and wished to pursue since art school days.

Eileen Kennedy, March 2011